Paris Olympics

The Daily Telegraph

Paris Olympics

The Daily Telegraph

Timeline

April to July 2024

Timeline

April to July 2024

Area

Special Projects

Area

Special Projects

The Paris Olympics served as the centrepiece of the ‘Summer of Sports’ initiative to solidify the newspaper as a premier source of sports coverage. With the Visual Journalism team, I delivered a range of interactive and visually-striking tools that engaged readers new to the Olympics and life-long fans.

Project overview

My role

I solely led end-to-end product design throughout from ideation and research, to QA and delivery. Collaborating with three designers on the visual identity, and  journalists, engineering, and cross-departmental stakeholders throughout ensuring alignment on business and user goals.

Challenges

The project aimed to enhance reader engagement by providing a real-time companion that complimented watching on TV or in person. Creating dynamic and digestible tools that met user needs and converted anonymous readers into subscribers while maintaining the Telegraph’s trusted analytical voice.

The Olympics Hub

The Olympics Hub

Research and findings

Discovery

Foundational user research on past events: qualitative reader panel and subscriber feedback analysis was conducted with the Insights & Analysis team to establish baseline knowledge of historic user behaviours and desires. This allowed me to outline a product strategy.

I hypothesised there are three distinct viewer segments: casual enjoyers who want to be told what to watch, enthusiasts who want to watch all events for a specific sport, and Olympic fans who want to plan their day around watching as many events as possible.

Benchmarking

Recognising the competitive landscape, I conducted audits of major publishers seeing how they approached past Olympics. I also looked at their live sports treatment more generally to inform our positioning.

Initial research revealed that a large portion of readers visit BBC Sports or Google for schedules and scores and return to the Telegraph for analysis after the event. This insight focused my vision early on to provide an all-encompassing platform. This garnered strong internal support and guided the project.

Competitor research for the Medals & Results page

Competitor research for the Medals & Results page

Internal focus groups and alignment

To better understand diverse perspectives and ensure alignment I facilitated two internal focus groups, supported by a product manager and product designer, bringing together key stakeholders to brainstorm ideas and pinpoint their plans, goals and success metrics for the Olympics. Collectively we refined user personas, user journey maps and developed a digital experience strategy. Grounded by research and backed by senior stakeholders.

Bringing people from across the newsroom

One of the generated personas

User journey maps

User personas

User personas hyper-specific to the project were generated from three sources: distinct viewer segments identified during discovery, pre-established Telegraph user personas based on average readers, and those co-created with stakeholders during design sprints. Doing so unified user needs and stakeholders with the overarching business ambition.

User flows

Based on the findings from various stakeholders, a range of user flows and workflows were made for different teams, culminating in a network of flows that intertwined the Paris Olympics proposed coverage.

Better viewed on a larger device

Key insights

Readers typically digest sports in frequent, short bursts skimming for updates, stats and replays before switching focus.

  • Readers value the Telegraph’s expert analysis and live coverage which must be directly intertwined with current user behaviour.

  • Olympic viewers often use multiple screens, usually their mobile phone, and tools should be easily accessible from start-up.

  • Subscribers have a preference for following Team GB. Solutions should focus on their progress.

Solutions

Timetable

Offering an easily-accessible and dynamic homepage timetable that kept users engaged with real-time updates of live events and key moments from the day’s live blog. Effortless navigation to key pages allowed users to find the journalism they were after. It transformed throughout the day, growing in detail with more content to engage with. Towards the end of the day, it offered a preview of tomorrow. The homepage was focused on live events only.

When used in-article, an advanced version was deployed with filtering, so readers of all interests and knowledge could find relevant content or discover something new. This lived with a full schedule page that was written by the Sports desk with suggestions for viewers who were mildly interested or after key people/events to watch this year.

Schedule

Introduced late in the project from user testing and senior stakeholder input, I designed a TV-guide-style timetable, the full monthly, which readers could return to and filter to find the exact event they wanted.

The first deployment of Frosted Glass at scale

The first deployment of Frosted Glass at scale

Medals and results

The Medals page, a hero page during Tokyo, was made into the Olympics hub for Paris, celebrating athlete successes and offering vital navigation across the coverage generating over 1m page views. A medals carousel provided immediate updates after events. Users were able to deep dive into current and historic data of Team GB and other countries, comparing between them.

Early ideation on the Medals & Results page

Early ideation on the Medals & Results page

A daily image carousel was considered, each day having a hero image curated that could act as a time capsule at the end. Unfortunately, this was built but killed days before the opening weekend due to limited resources to effectively manage it.

Visual identity

Design ideated in parallel with my initial exploration on the visual identity for the Olympics to lead key articles, social media and the Sunday Telegraph Sports supplement. Helping align the Olympics to other initiatives, and identifying ways to bridge the gap between digital and print.

Article lead asset graphics

Olympics coverage logo

Index page branding

Design system

This project forced us to re-consider how information is presented in-app and the homepage. With my experience leading Particles I was able to define all-new styles for the design system. Dense information cards became the new standard for the homepage, slotting neatly throughout to complement headlines and evolve glanceable storytelling.

Cutting development time for Opta sports Particles

Cutting development time for Opta sports Particles

This offered an opportunity to standardise elements, including flags, team names (countries) and leaderboards. Now in the Figma asset library with production-ready components and tokens (SCSS variables) reduce development time. This was the deployment of the Frosted Glass which became a key design language going forward, allowing for improved depth and visual interest.

Build

Working closely with Digital Innovation engineers from the outset, I ensured their early involvement in defining the final product and addressing potential issues. Collaborating with SEO, defining key page structures to ensure visibility on Google and Apple News.

This initiative introduced new functionality throughout and challenges. One of the original ideas was to provide live event data for readers in Paris but was ultimately removed, rather, guiding journalists to write key information in live blogs which would surface on the homepage in the timetable. This too was a major challenge but was overcome, allowing the homepage to feel lively and bring significant value.

Results

Outcome

The opening weekend exceeded expectations with over 10 million page views, 1,600 registrants  and 500 new subscribers, surpassing the entire Tokyo Olympics coverage. The homepage Particle drove over half a million visits to the Medals & Results page, the particle had ~30s average engagement. This validated research as readers interacted in short bursts to complement their viewing habits utilising strong navigation to articles and tools.

Retrospective

Early developer involvement proved critical but involving them in focus groups offered a unique perspective to limit scope within technical boundaries. The visual identity development revealed collaboration opportunities between Design and Product as finalising creative took longer than expected. Collectively, these highlighted process improvements for future large-scale live events.

Project credits

Creative

Olga Petrusewicz

Lead Designer

Ryan Nevill

Senior Designer

Kathryn Tonks

Designer

Jake Cook

Motion

Digital Innovation

Oliver Edgington

Director of Innovative Product

Florin Bratescu

Lead Developer

George Loakeimidis

Lead Developer

Alexander Ivanov

Senior Developer

Miles Barriball-Saw

Senior Developer

Product

Ben Rubinsztein

Senior Product Manager

Kevin He

Product Designer

Visual Journalism

Rachel Jones

Head of Visual Journalism

David Stevenson

Head of Visual Journalism

Rachel Matthews

Senior VJ Editor

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